My true love sent to me, macaroons and bonbons on a Christmas tree… under the stained glass dome at the Galeries Lafayette, Paris IX xxxxx love Aliss
From the Dior Show at Musée des Arts Décoratifs: One alcove in the floor-to-ceiling cathedral of mousselines or toiles (second wing of the exhibit) one of my favorite rooms… These are preliminary muslin versions of couture designs to test life-size patterns before cutting more expensive fabrics. Almost more beautiful than the final garment…
The good news… “Sublime” doesn’t begin to describe this show, staged with loving reverence for detail: 300 haute couture creations, from the house’s establishment in 1947 to the present, iconic photographs by Richard Avedon and others, every accessory imaginable (hats, jewelry, bags, shoes, perfume bottles), illustrations and sketches, plus a selection of paintings, furniture and art objects… (Salvador Dali, Buste rétrospectif d’une femme et La Chaise atmosphérique, 1933)
A tribute to high style, tradition, craftsmanship, marketing savvy, and sheer French genius.
For a quick glimpse:
In a palette arranged by color, I fell for these miniatures in B&W
and this classic shape in pale blue:
The bad news: You may not see very much of the show. Even with a “fast pass” ticket bought via internet, you will stand in line outside for at least 30 minutes, again at the cloak room if you have a backpack or large bag, then you will try to climb the stairs against a stream of fleeing attendees (you’ll understand why in a minute) only to shuffle two or three-abreast through a series of dark under-ventilated chambers linked by bottleneck passageways, straining to see the displays over heads and between shoulders. At the end of this ordeal you come to a narrow stairway down to a lower level of less crowded larger rooms, where you can catch your breath. Exiting this wing and crossing the lobby, you access another stairway leading up to a reading room on the left and another series of crowded rooms linked by bottle necks on your right, finally opening into the muslin cathedral mentioned above, and then a vast space called the “Dior Ballroom” where you can move around and admire exquisite gowns, historic portraits, and red carpet film footage of celebrities and royalty in Dior.
I’m sure it cost a fortune to mount this event, so its success is great for Les arts décos and for Paris. It’s unfortunate, however, that the museum staff in charge of ticketing and crowd control have so little respect for their audience. There are actual mathematical formulas to calculate flow in small spaces and set up schedules:
Why isn’t this taken into consideration? Trip advisor comments describe people fainting, disabled visitors who can’t navigate the passageways, long-distance travelers giving up at the entrance and leaving.
TIP: Judging by the graph on the museum FB page, the best time to plan a visit is 11am on weekends. http://www.facebook.com/lesartsdecoratifs/
Potential idea: other sites like the Parc Asterix post notices at the entrance when the crowds are overwhelming: “Complet” (SRO), so you can still enter, but in full knowledge of what to expect.
Courage! xxxxx Aliss
I’m embarrassed to admit that while other people are surviving hurricanes, earthquakes, and violent religious and racial persecution, all it took to knock me down was a cold virus. Very humbling and frustrating!
Venturing outside again after several days of extreme inertia, inspired to see new murals in the ‘hood, like this one, rue Henri Noguères, Ars Longa Vita Brevis, signed Lima Lima-Raphe. The title is a latin translation of a quote from Hippocrates, open to different interpretations:
…”it takes a long time to acquire and perfect one’s expertise (in, say, medicine) and one has but a short time in which to do it”. …”art lasts forever, but artists die and are forgotten” (in this use sometimes rendered in the Greek order as “Life is short, Art eternal”), but most commonly it refers to how time limits our accomplishments in life.
Thinking about art, trying to keep playing music, writing, researching, has kept me going over the past few low energy days. Here’s more nourishment for thought and soul, a beautiful article from the Washington Post, “This is Your Brain on Art.”
To be continued, xxxxx Aliss
Flying into Paris this morning, sun rising over a field of clouds… now streaming the eclipse over the US… starring the sun… xxxxx Aliss
Whatever else you plan in Paris this summer, put Imagine Van Gogh on your list:
“The brain child of Annabelle Mauger and Julien Baron, technology in the service of art, plunging the spectator into the heart of each work to feel the artist’s creative emotions… Admire Starry Night, Irises, and Sunflowers…Vincent’s Room,” along with actual photographs of Auvers sur Oise, its wheat fields, people and places Van Gogh knew. Sound track by Saint-Saëns, Mozart, Bach, Delibes ou Satie.
Information in English:
The show’s designers previously staged an immersive art experience in magical Les Baux Provence, La Cathédrale des Images. If you’re in that area make sure to see “Carrières Lumières” http://carrieres-lumieres.com
xxxxx love, Aliss
Paris 19th…Now:and then, before landscaping, Eiffel’s bridge, and the cliff-top temple:My favorite park is celebrating a big birthday–150 years… I thought I knew it by heart, but new signs commemorating remarkable trees and the park’s transformation are full of cool factoids:Did you know this tree is called “horse chestnut” because in ancient times its fruit was used as fodder? That this former quarry was a horse cemetery in the 19th century? That draft horses from Vincennes are still used here for logging? Planted in 1870, this sycamore is 25m tall. Tiny picnickers and miniature bench give an idea of scale…Another specimen:Planted in 1865, this one is 20m tall. Symbiotic parasites thicken its bark while its survival strategy creates an “elephant foot” shape at the base. In Greek mythology plane trees symbolized regeneration and it’s dark heavy wood was used to build the Trojan horse…It’s so huge I couldn’t fit it into one shot. People left of the trunk (center) add perspective.And on the other side of the park:An association called Kaloumba had set up awnings, tables, chairs and traditional games from all over the world, for all ages. One item from their beautiful collection:
Kaloumba specializes in keeping these alive as cultural, social, educational and therapeutic tools, organizing workshops to make your own games from recycled materials, to then keep or sell for worthy causes. Check out their website: http://kaloumba.com
Happy Birthday Buttes Chaumont 🙂 xxxxx Aliss
Live Water Swimming, Bassin de la Villette, Paris Plages, Grand Opening Monday July 17th, 3pm 🙂
Paris has been working towards this for many years, well before the Summer Olympics bid, part of a long term environmental clean up and biodiversity project. What better way to raise awareness than to open a swimming area here? It’s a biofeedback loop for Parisians: water quality is monitored constantly and the pools will be closed whenever the water is unsafe. All around the enclosure displays show how this works, what sources of public and private pollution are being supervised, plant and animal species living in this water, how and why the waterway was constructed, how it has evolved… Maybe this will discourage deadbeats from throwing their refuse into the canal? Come swim and view the displays with your family, it’s a rich learning experience and a way to create a better future 🙂
Smooth sailing! xxxxx Aliss